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Anne Clark - Our Darkness ('97 Remixes) FLAC album

Anne Clark Germany Columbia Acid 1997

Performer: Anne Clark
Genre: Electronic
Title: Our Darkness ('97 Remixes)
Country: Germany
Released: 1997
Style: Acid
Label: Columbia
Catalog Number: COL 664435 6
FLAC version ZIP size: 1419 mb
MP3 version ZIP size: 1186 mb
WMA version ZIP size: 2844 mb
Rating: 4.4
Votes: 055

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Tracklist

1	Our Darkness (Total Eclipse Remix) Remix – Total Eclipse	5:36
2	Our Darkness (Hardfloor 97 Version) Remix – Hardfloor	6:14

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
INK 125	Anne Clark	Our Darkness ‎(12", Single)	Ink Records	INK 125	UK	1984
106 967, 106 967-100	Anne Clark	Our Darkness / Sleeper In Metropolis ‎(7", Single)	10 Records, 10 Records, Red Flame, Red Flame	106 967, 106 967-100	Europe	1984
COL 664435 2	Anne Clark	Our Darkness - Hardfloor 97 Version ‎(CD, Maxi)	Columbia	COL 664435 2	Germany	1997
601 615, 601 615-213	Anne Clark	Our Darkness ‎(12", Maxi, Dif)	10 Records, 10 Records	601 615, 601 615-213	Europe	1984
80221	Anne Clark	Our Darkness ‎(12", Maxi)	10 Records	80221	France	1984

Credits

Written-By – Anne Clark, David Harrow

Barcodes

Barcode (written): 5 099766 443560
Rights Society: SACEM-BIEM SDRM
Matrix / Runout (Side a stamped): 12 004435 20 1A1
Matrix / Runout (side b stamped): 12 004435 20 1B1
Label Code: 0162

Companies

Phonographic Copyright (p) – Sony Music Entertainment Inc. – 12-664435-20

Video

Nargas

Hear the sample of Genetic- Transmission in this? I do.

Cointrius

Heh, heh, you're right, I can definitely hear it too.....

Olwado

That hypnotic melody and Anne's lyrical genius is one of those things that has worked for years now. When it came for the remixes in 1997, both camps went in different ways. Hardfloor went for their trademark acidic rerub while playing with the vocals and adding effects to it to enrichen the sound. Ramon & Oliver used their usual snareroll with a repeating vocalline in the breakdown to climax in a spectacular matter. Total Eclipse however kept it psychadelic and went for a dark and fast interpretation with a minimal vocal in favour for using the melody as the main drive while using the bassline to push it near the edge.

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