» » Dexter Gordon - The Other Side Of Round Midnight

Dexter Gordon - The Other Side Of Round Midnight FLAC album


Performer: Dexter Gordon
Genre: Jazz
Title: The Other Side Of Round Midnight
Country: US
Released: 1986
Style: Hard Bop
Label: Blue Note
Catalog Number: BT 85135
FLAC version ZIP size: 1102 mb
MP3 version ZIP size: 2172 mb
WMA version ZIP size: 2505 mb
Rating: 4.0
Votes: 692

Tracklist

1Society Red
Written-By – Dexter Gordon
5:30
2Call Sheet Blues
Tenor Saxophone – Wayne ShorterWritten-By – Higgins, Hancock, Carter, Shorter
6:05
3Berangere's Nightmare #2
Written-By – Herbie Hancock
4:35
4Round Midnight
Written-By – Thelonious Monk
7:46
5Tivoli
Soprano Saxophone, Written-By – Dexter Gordon
4:10
6Round Midnight
Soprano Saxophone – Wayne ShorterWritten-By – Thelonious Monk
6:28
7As Time Goes By
Guitar – John McLaughlinWritten-By – Hupfeld
4:15
8It's Only A Paper Moon
Vibraphone [Vibes] – Bobby HutchersonWritten-By – Rose, Harburg, Arlen
7:43
9What Is This Thing Called Love
Vocals – Bobby McFerrinWritten-By – Cole Porter
3:35

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
CDP 7 46397 2Dexter Gordon The Other Side Of Round Midnight ‎(CD, Album)Blue NoteCDP 7 46397 2Germany1986
E-8098Dexter Gordon The Other Side Of Round Midnight ‎(Cass, Album, Unofficial)Ego RecordE-8098IndonesiaUnknown
4BT-85135, 4BT 85135Dexter Gordon The Other Side Of Round Midnight ‎(Cass, Album)Blue Note, Blue Note4BT-85135, 4BT 85135US1986
BT-85135Dexter Gordon The Other Side Of Round Midnight ‎(LP, Album, DMM)Blue NoteBT-85135US1986
BNJ-91024Dexter Gordon The Other Side Of Round Midnight ‎(LP, Album)Blue NoteBNJ-91024Japan1986

Credits

  • BassMads Vinding (tracks: A1, A5), Pierre Michelot (tracks: B2, B3), Ron Carter (tracks: A1 to A3, B1)
  • Coordinator [Music Coordinator]Tony Meilandt
  • DesignSue Keston
  • DrumsTony Williams (tracks: A2, B1), Billy Higgins (tracks: A1, A3, A5, B2, B3)
  • Liner NotesMichael Cuscuna
  • Mixed By, Recorded ByWilliam Flageollet
  • Other [Stylist] – Lisa Silvestri
  • Photography ByCarol Friedman
  • PianoCedar Walton (tracks: A5, B1), Herbie Hancock (tracks: A1 to A4, B2 to B4)
  • ProducerHerbie Hancock, Michael Cuscuna
  • Tenor SaxophoneDexter Gordon (tracks: A1, B1, B2)
  • TrumpetFreddie Hubbard (tracks: A2, B1), Palle Mikkelborg (tracks: A1, A5)

Notes

Recorded Live at Studio Eclair In Epinay Sur Seine and Studio Davout in Paris.
Mixed digitally at Studio Phillippe Sarde in Paris.
Herbie Hancock and Wayne Shorter appear courtesy of Columbia Records.
Bobby Hutcherson appears courtesy of Landmark Records.

This release with track B3 duration printed as 7:43 and licensing information for A3, B1, B4 on printed on top portion of labels. ()
Another same catalog # release "The Other Side Of Round Midnight" exists with track B3 duration printed as 4:27 and with licensing information printed on lower portion of labels.

Direct Metal Mastering (DMM),
Audiophile Edition.
Premium Quality Vinyl

Made in U.S.A.

Barcodes

  • Barcode (Text): 0 7777-85135-1 3
  • Barcode (Scanned): 077778513513
  • Matrix / Runout (A Side etched): BT-1-85135-Z2 DMM SP-AR △15474
  • Matrix / Runout (B Side etched): BT-2-85135-Z2 DMM SP-AR DMM △15474-X

Companies

  • Recorded At – Studio Eclair
  • Recorded At – Studio Davout
  • Mixed At – Studio Phillipe Sarde
  • Manufactured By – Capitol Industries-EMI, Inc.
  • Pressed By – Allied Record Company
  • Mastered At – Specialty Records Corporation – △15474
  • Phonographic Copyright (p) – Manhattan Records
  • Copyright (c) – Manhattan Records
  • Licensed From – Warner Bros. Records Inc.
  • Record Company – Capitol Records, Inc.

Video

Keramar
The Other Side of Round Midnightis an album that needs to be considered with a grain of salt, as the record showcases the last recordings released under Gordon’s name, though one must keep in mind that Dexter Gordon does not appear on all of the tracks.

Gordon will forever be known as the ‘Sophisticated Giant,’ a man who had a gregarious stage presence and was able to coax smooth velvety notes from his tenor saxophone. The sound delivered here is large, yet confined to your listening space, dark but not hard, rising like smoke from a neglected cigarette and very plaintive. Gordon was a bit older when this album was laid down, not as sharp as he was during his youth, yet age has its virtues, where Gordon flows, ebbs and flowers with a resilience and timing that younger musicians have yet to learn, delivering his notes with a personality developed over countless years of relentless playing.

To say Dexter Gordon was broadly and highly accomplished would be an understatement, he had rhythmic ideas that were fresh and inviting, he avoided most of the syncopated phrases many jazzmen of the late 40’s and 50’s were employing. He was comfortable in his ability to take full advantage of the skills of the musicians he worked with, sparking them to new heights, where they in turn helped Gordon create contemporary musical sounds and visions. Gordon was able to effortlessly swim in a self generated sea of notes that did not establish walls between listeners and the stage, managing to convey a sense of vulnerability, though never weakness, inviting anyone willing to step though the door and be one with the endeavor.

All that I’ve suggested and more is elegantly delivered here, a masterful album from a man who instinctively understood the nature of jazz.

*** As to the vinyl, I’ve alway loved my 1986 DMM recording. Direct Metal Mastering (DMM) is an analogue audio disc mastering technique. Unlike conventional disc mastering, where the mechanical audio modulation is cut onto a lacquer coated aluminum disc, DMM cuts straight into metal (copper).

*** The Fun Facts: Not to be missed is the movie “Round Midnight,” where director Bertrand Tavernier, a jazz buff himself, had decided from the beginning to cast a musician and not an actor playing a musician. After viewing hundreds of old film clips of jazz greats at work, he was struck most by Gordon, who gave a standout performance.

Review by Jenell Kesler