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Eela Craig - One Niter FLAC album


Performer: Eela Craig
Genre: Rock
Title: One Niter
Country: Germany
Released: 1976
Style: Prog Rock, Symphonic Rock
Label: Vertigo
Catalog Number: 6360 635
FLAC version ZIP size: 2577 mb
MP3 version ZIP size: 2970 mb
WMA version ZIP size: 1019 mb
Rating: 4.2
Votes: 832

Tracklist

1Benedictus1:54
2One Niter Medley(11:03)
3The Blessed1:13
4The Nude2:00
5One Niter3:18
6Morning1:47
7Way Down7:16
8Venezuela
Congas – Raoul Burnet
3:30
9Loner's Rhyme
Congas – Raoul Burnet
9:23
10Fuge0:47
11The Curse5:05
12Circles(13:59)
13The Mighty5:41
14V.A.T3:17

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
EREACD1007, EREACD 1007Eela Craig One Niter ‎(CD, Album, RE, RM, Unofficial)Esoteric Reactive , Esoteric Recordings , Esoteric Reactive , Esoteric Recordings EREACD1007, EREACD 1007Russia2010
6360 635Eela Craig One Niter ‎(LP, Album)Vertigo6360 635Germany1976
EREACD1007, EREACD 1007Eela Craig One Niter ‎(CD, Album, RE, RM)Esoteric Reactive, Esoteric Recordings, Esoteric Reactive, Esoteric RecordingsEREACD1007, EREACD 1007UK2010
BT-8111Eela Craig One Niter ‎(LP, Album, RE)VertigoBT-8111Japan1979
BELLE 091475Eela Craig One Niter ‎(CD, Album, RE, RM)Belle AntiqueBELLE 091475Japan2009

Credits

  • Arranged By [All Titles]Eela Craig
  • Artwork [Cover Art]Alois Janetschko
  • Bass, PercussionGerhard Englisch
  • Design [Cover Design By], Photography By [Photographs By]Wolfgang Kraml
  • Drums, PercussionFrank Hueber
  • Guitar [Guitars], Piano, VocalsFritz Riedelberger
  • Keyboards, FluteHubert Schnauer
  • Keyboards, Flute, GuitarHarald Zuschrader
  • Keyboards, VocalsHubert Bognermayr
  • ProducerEela Craig, Ulli A. Rützel
  • Recorded By, Mixed By, Mastered By [Master Cut By]Jürgen Koppers

Notes

Recorded april and june 1976 at arco-studio, munich.
Remixed june / july 1976 at music land-studio, munich.
Mastered at polydor int., hannover - langenhagen.

Printed in Germany
℗ 1976 Phonogram GmbH

inner lyric + 2 card

Barcodes

  • Matrix / Runout (Side A runout, stamped): 161 6360 635 = 2 1Y 320 1 G
  • Matrix / Runout (Side A runout, stamped): 161 6360 635 = 2 2Y 320 1 G
  • Rights Society: GEMA

Companies

  • Phonographic Copyright (p) – Phonogram GmbH
  • Recorded At – Arco Studios
  • Remixed At – Musicland Studios
  • Mastered At – Polydor Studios, Hamburg
  • Lacquer Cut At – Phonodisc GmbH

Video

greed style
I always felt Eela Craig's 1971 debut was an anomaly. Mainly because it had a much stronger bluesy and jazzy feel that shows little of what they'll be sounding like in the late '70s (it's a fine album in its own right, but it also demonstrates what happened in the 1970s when there's a five year gap between albums).

After a rare single from 1974 (Stories/Cheese), which already headed towards a symphonic direction, they secured a deal with Vertigo Records and in 1976 came One Niter. This was the beginning of the late '70s Eela Craig sound people are most familiar with. They now had three keyboardists with Hubert Bognermayr, Harald Zuschrader, and Hubert Schnauer. Check out the back cover. It's no doubt in my mind that it was inspired by Pink Floyd's Ummagumma, showing for all the world all the gear the band used (and all the band members, even Alois Janetschko who also did live mixing). You'll notice a couple of Hammond organs, a Mellotron, some synths, apparently a Logan String Melody (the original, as the String Melody II didn't come out until 1977), electric pianos (Wurlitzer, Fender Rhodes), plus all the guitars Fritz Riedelberger had, and basses from Gerhard Englisch. There's Frank Hueber and his drums, so basically all the gear the band had at the time.

Unlike so many other symphonic prog bands of the time, Eela Craig included funk influences, lots of wah wah guitar (as if "Shaft" was done by a prog band) and clavinet all over (the funk influence was toned down after this album). You get treated with big blasting Mellotron brass, some really nice gentle flute passages, intense funky jamming with clavinet and Moog, some classical influences (even a Bach piece shows up with some electronic modifications) showing up, and a straight up acoustic piece called "Venezuela".

While an vinyl enthusiast like myself can probably find a copy for a fairly reasonable price, for those that don't collect vinyl, it's nice to know that Esoteric had reissued this on CD (Si-Wan in Korea did years ago). It beats the Symphonic Rock CD, while containing both Hats of Glass and One Niter, omits one song from each album ("Venezuela", "Caught on the Air"), which means it's better to buy them separately. This is usually regarded as their best album (if you like a more underground style, then go for their debut instead), and a great place to start with.