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Fleetwood Mac - The Alternate Fleetwood Mac FLAC album

Fleetwood Mac Reprise Records 2019

Performer: Fleetwood Mac
Genre: Rock
Title: The Alternate Fleetwood Mac
Country: US
Released: 13 Apr 2019
Label: Reprise Records
Catalog Number: R1 564452
FLAC version ZIP size: 1470 mb
MP3 version ZIP size: 2531 mb
WMA version ZIP size: 2687 mb
Rating: 4.6
Votes: 818

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Tracklist

1	Landslide (Early Version) Written-By – Stevie Nicks	3:18
2	Crystal (Early Version) Written-By – Stevie Nicks	4:05
3	Over My Head (Early Take) Written-By – Christine McVie	2:58
4	Rhiannon (Early Take) Written-By – Stevie Nicks	4:37
5	Warm Ways (Early Take) Written-By – Christine McVie	3:54
6	Monday Morning (Early Take) Written-By – Lindsey Buckingham	2:52
7	I’m So Afraid (Early Version) Written-By – Lindsey Buckingham	4:46
8	World Turning (Early Version) Written-By – Christine McVie, Lindsey Buckingham	5:39
9	Blue Letter (Early Take) Written-By – Michael Curtis, Richard Curtis	2:48
10	Sugar Daddy (Early Take) Written-By – Christine McVie	4:07
11	Say You Love Me (Early Version) Written-By – Christine McVie	4:18

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
081227940652	Fleetwood Mac	The Alternate Fleetwood Mac ‎(LP, Ltd, 180)	Reprise Records	081227940652	Europe	2019

Credits

Art Direction, Design – Rory Wilson
Bass – John McVie
Drums, Percussion – Mick Fleetwood
Engineer [2nd Engineer] – David DeVore
Guitar, Vocals – Lindsey Buckingham
Keyboards, Synthesizer, Vocals – Christine McVie
Lacquer Cut By – Chris Bellman
Legal [Legal Representation] – Altschul, Olin & Vandergast, LLP, David Altschul, Hertz Lichtenstein & Young, LLP, Jamie Young, Law Offices Of Mario F. Gonzalez, Mario F. Gonzalez
Management – Blain Clausen, Bright Music, CSM Management, Carl Stubner, Martin Wyatt, Sheryl Louis, Suretone Entertainment
Management [Road Manager] – John Courage, Mike Miller , Rhyno
Mixed By [Additional Mixing By] – Brian Kehew
Photography By – Herbie Worthington
Producer – Fleetwood Mac
Producer [Produced For Release By] – Steve Woolard
Producer [Produced For Release By], Mixed By [Additional Mixing By] – Bill Inglot
Producer, Engineer – Keith Olsen
Product Manager – Liuba Shapiro Ruiz
Project Manager [Project Supervision] – Jason Day, Tim Fraser-Harding
Promotion [U.S. Marketing] – Mike Engstrom
Reissue Producer [Project Assistance] – John Srebalus, John Strother, Lisa Glines, Mat Smyth, Mike Johnson, Mike Wilson
Remastered By – Dan Hersch
Rhythm Guitar – Waddy Wachtel (tracks: B4)
Vocals – Stevie Nicks

Notes

Record Store Day 2019

From sticker:
"First time on LP
Same 1975 self-titled milestone... but different.
ALL EARLY VERSIONS & TAKES
180-Gram Vinyl
Limited Edition of 12,500
R1 564452"

© 2019 & ℗ 2017 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.
Made in E.U. on both labels

The EU release Fleetwood Mac - The Alternate Fleetwood Mac has a different number at the end on the front sticker and two lines of small print on rear sleeve.

Barcodes

Barcode: 0 81227 94065 2
Barcode: 081227940652
Label Code: LC02982
Matrix / Runout (Side A runout, etched): R1-564452-A CB BH96418-01 A1
Matrix / Runout (Side B runout, etched): R1-564452-B CB BH96418-01 B1

Companies

Pressed By – Optimal Media GmbH – BH96418
Copyright (c) – Warner Bros. Records Inc.
Phonographic Copyright (p) – Warner Bros. Records Inc.
Copyright (c) – WEA International Inc.
Phonographic Copyright (p) – WEA International Inc.
Recorded At – Sound City Studios
Mixed At – Sound City Studios
Mixed At – Kendun Recorders
Remastered At – D2 Mastering
Mixed At – Timeless Studio, North Hollywood
Lacquer Cut At – Bernie Grundman Mastering

Bladecliff

My obsession with “Alternate” Fleetwood Mac lp’s continues unabated. First the “Alternate” Tusk ... now “Alternate” Fleetwood Mac. RSD (bought new from Discog seller)OMG! It’s simply superb! Real musicians, playing REAL instruments ... in a REAL analog StudioSound: A+Music: A+Three most important credits ... 1. Recoded at Sound City, Van Nuys, CA orig. analog tapes/tracks. Engineer Keith Olsen2. Lacquers cut - by Chris Bellman at Bernie Grundman Studios3. Remastered by Dan Hersch D2 - superb work!The packaging is crap ... the cover photo printing looks like a home copier 100th generation print ... EXCEPT for the nice black paper poly-lined inner sleeve. It’s obvious this lp is aimed at audiophiles (who don’t care about the packaging)Lp: dead flat 180g, dead quietThe engineering: pure voices are forward along with LB’s guitar AND drums. Most songs are stripped bare of orchestral overdubs ... and showcase just what a BRILLIANT collection of songs these are.My favorite cuts:Crystal: stripped bare, to just voice and guitar. Sounds fantastic. I’m so Afraid: same thing, just the bare song no drowning organ background.

heart of sky

Some great alternate takes. Sound is absolutely outstanding except for the last track on Side 1, "Crystal". Lot's of distortion here. I thought it might have been my setup, but it was not. It may just be the quality of the recording is bad and there wasn't much else they could do with it. Anyone else have this issue on "Crystal"?

Pipet

I also forgot to mention that Inner groove distortion is a clear sign of cartridge misalignment. Crystal is the last song on side 1 ... the innermost track. You might want to check your cartridge alignment very carefully. I like to use a mirrored protractor for my alignment and the Analogue Productions Ultimate Analogue Test LP

Kata

Ha! See my review above. Crystal was my favorite cut on the whole lp. It was beyond flawless, it was superb! My rig is all Mcintosh: MT10 tt, Dynavector XX-2 MKII cart.C2300 preampMC275’s monoblocked driving my Spendor S-100’s (teak) with Viablue SC-6 silver speaker cablesMPC1500 power conditioner I threw the lp on the tt with nothing more than a brush dusting/cleaning and cleaning of my cart. I am on the fence, when it comes to prewashing new lp’s on my VPI HW 16.5

Delaath

My seemed to sound ok. I sonicly cleaned this album and I still had noise so I am not sure if the recording overall is just under par. During playback it sounds very good. Its the light and empty spots where a lot of the noise comes through.

Jorad

I cannot say anything original about this one, but I will say this is worth it to a fan as it sounds amazing from a dynamic recording to a nice pressing quality. Landslide and world turning alone is worth the coin. Plus my originals aged nicely or not don’t sound like this.

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