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Kraftwerk - Expo2000 FLAC album

Kraftwerk Europe Kling Klang Emi Electrola Techno Synth Pop 1999

Performer: Kraftwerk
Genre: Electronic
Title: Expo2000
Country: Europe
Released: 1999
Style: Techno, Synth-pop
Label: Kling Klang, EMI Electrola
Catalog Number: 7243 8 87984 2 6, 887 9842
FLAC version ZIP size: 2992 mb
MP3 version ZIP size: 1222 mb
WMA version ZIP size: 1172 mb
Rating: 4.7
Votes: 300

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Tracklist

1	Expo2000 (Kling Klang Mix 2001)	6:50
2	Expo2000 (Kling Klang Mix 2000)	6:48
3	Expo2000 (Kling Klang Mix 2002)	5:36
4	Expo2000 (Radio Mix)	3:35

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
ASW 38768, 7243 8 38768 2 2	Kraftwerk	Expo Remix ‎(CD, Maxi)	Astralwerks, Astralwerks	ASW 38768, 7243 8 38768 2 2	US	2001
CDEMS (WS) 181	Kraftwerk	Expo2000 ‎(CD, Single, Enh)	EMI	CDEMS (WS) 181	South Africa	1999
7243 8 87984 2 6, 887 9842	Kraftwerk	Expo2000 ‎(CD, Single, Len)	Kling Klang, Kling Klang, EMI Electrola, EMI Electrola	7243 8 87984 2 6, 887 9842	Europe	1999
none	Kraftwerk	Expo Remixes ‎(CDr, Promo)	Astralwerks	none	US	2001
7243 8 89612 6 4	Kraftwerk	Expo Remix ‎(2x12")	Kling Klang, EMI Electrola	7243 8 89612 6 4	Germany	2000

Credits

Artwork [CD Case] – Gelardi Design
Artwork [Original Expo Logo] – Qwer
Engineer – Hilpert
Layout – LMP
Music By [Music Data] – Schneider, Hilpert, Huetter

Notes

Two different pressings with slightly different versions of track 3 exist. They are recognizable by the matrix numbers:
8879842 @ 1 plays one version while 8879842 @ 2 the other one.

Jewelcase with lenticular plastic cover.
Multi-Image CD case by Gelardi Design.

Kling Klang Studio ℗ 1999
The copyright in this sound recording is owned by Kraftwerk under exclusive license to EMI Electrola GmbH.
© 1999 EMI Electrola GmbH

Kling Klang Produkt 1999 Ralf Huetter Florian Schneider.

7243 8 87984 2 6 UK: 887 9842
WWW.EMIMUSIC.DE

MADE IN THE EU
Printed in the EU.

Barcodes

Barcode (Printed): 7 24388 79842 6
Barcode (Scanned): 724388798426
Rights Society: bel / BIEM
Label Code: 04513
Mastering SID Code: IFPI L047
Matrix / Runout (Variant 1): EMI UDEN 8879842 @ 1 1-1-1-NL
Mould SID Code (Variant 1): ifpi 1596
Matrix / Runout (Variant 2): EMI UDEN 8879842 @ 1 1-1-5-NL
Mould SID Code (Variant 2): ifpi 15E9
Matrix / Runout (Variant 3): EMI UDEN 8879842 @ 1 1-1-3-NL
Mould SID Code (Variant 3): ifpi 15AD
Matrix / Runout (Variant 4): EMI UDEN 8879842 @ 1 1-1-2-NL
Mould SID Code (Variant 4): ifpi 15DA
Matrix / Runout (Variant 5): EMI UDEN 8879842 @ 1 1-1-2-NL
Mould SID Code (Variant 5): ifpi 15A4
Matrix / Runout (Variant 6): EMI UDEN 8879842 @ 1 1-1-6-NL
Mould SID Code (Variant 6): ifpi 1593

Companies

Phonographic Copyright (p) – Kraftwerk
Copyright (c) – Kraftwerk
Licensed To – EMI Electrola GmbH
Copyright (c) – EMI Electrola GmbH
Marketed By – EMI
Distributed By – EMI
Published By – Kling Klang Musik
Published By – Sony Music Publishing
Engineered At – Klingklang Studio
Glass Mastered At – EMI Uden
Pressed By – EMI Uden

Video

Gavikelv

i was 14 years old when i bought this single in late 1999
it was a real surprise when one day on VIVA (german tv station) one day KRAFTWERKs new song was shown

however the sound is comparable to that of the ELECTRIC CAFE era

playboy

Well, regarding the "outstanding" differences between the holographic and stage versions, I don't see much of a difference in the mix, except for track "Expo 2000 (Kling Klang Mix 2002)", where the cymbal drum is missing from the mix on the holographic version. Holographic is also a bit more compressed and louder. That is why I prefer the stage cover version of this release. For what Kraftwerk has done in the past, this is a very mediocre release.

Halloween

My hat is off to anyone who could listen to the different pressings carefully enough to discern differences without completely losing interest. In 25 years [at the time] I had never before heard such tedious Kraftwerkmusik.

Hasirri

Yes, there are slight differences in the music between the holographic and the silver-cover versions. You only notice it when auditioning because there's no mentioning about it anywhere. AND: The soundquality of the holographic issue is terrible bad and the silver-cover issue with (almost) the same material is acceptable but far worse than they earlier recordings. Later records are worse than a cassette (TDF 2003, the whole remaster series...).

Hulbine

For the collectors: I've tested all possibile Kraftwerk CD releases soundqualitywise (different issues of the same release). The CD-pre mastering, printing, glassmastering couts a lot to the final result, not mentioning the capturing the original analog tapes. Belive it or not, there are massive differences. Later I will post the judgement below each tested release. Ask me, if you are an enthusiast!

Tygrafym

I am owner of the two versions of this recording and I have to undercover some well kept secret. The differences between the two versions are not only on the covers ("holographic logo" vs. "Kraftwerk on stage" plain picture) and the added video content in the enhanced version... Dear Kraftwerk fans, the mix on this two versions are slight different, being the more noticeably the added reverb and delay in the "non holographic" later version. The addition of these effects ends with a remarkable slappy sound on the drum beats! Even if it is possible these days to add effects in the mastering stage, in my oppinion this is not the case. The effects are clearly added to the drum parts and this way can be achieved only in the mix. Ask "Kling Klang" for details... (In addition, the panned pad in the intro distorts: very bad at this pro-level!)

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