» » Lee Hazlewood - The Very Special World Of Lee Hazlewood

Lee Hazlewood - The Very Special World Of Lee Hazlewood FLAC album


Performer: Lee Hazlewood
Genre: Rock / Pop / Folk and Country
Title: The Very Special World Of Lee Hazlewood
Country: US
Released: 1966
Style: Folk Rock, Country Rock, Ballad, Vocal
Label: MGM Records
Catalog Number: SE-4362
FLAC version ZIP size: 2793 mb
MP3 version ZIP size: 1353 mb
WMA version ZIP size: 1102 mb
Rating: 4.4
Votes: 270

Tracklist

1So Long, Babe2:50
2Bugles In The Afternoon3:10
3Not The Lovin' Kind2:50
4Your Sweet Love4:06
5For One Moment2:36
6I Move Around3:04
7My Autumn's Done Come4:03
8My Baby Cried All Night Long3:13
9These Boots Are Made For Walkin'3:09
10When A Fool Loves A Fool2:08
11Sand
Vocals – Miss Suze Jane Hokum
3:35

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
E-4362, E 4362Lee Hazlewood The Very Special World Of Lee Hazlewood ‎(LP, Album, Mono, Promo)MGM Records, MGM RecordsE-4362, E 4362US1966
MGM-MC 6231Lee Hazlewood The Very Special World Of Lee Hazlewood ‎(LP, Album)MGM RecordsMGM-MC 6231New Zealand1966
SE-4362Lee Hazlewood The Very Special World Of Lee Hazlewood ‎(LP, Album)MGM RecordsSE-4362US1966
cs 8014Lee Hazlewood The Very Special World Of Lee Hazlewood ‎(LP, Album)MGM RECORDScs 8014UK & Ireland1966
MGM-C 8014Lee Hazlewood The Very Special World Of Lee Hazlewood ‎(LP, Mono)MGM Records, EMIMGM-C 8014UK1966

Credits

  • Arranged ByBilly Strange
  • EngineerVal Valentin
  • Liner NotesPencil Pusher J-431M
  • Other [A Special Note Of Thanks For Help On 'Sand'] – Miss Suze Jane Hokum
  • Producer, Performer, Written-ByLee Hazlewood

Notes

'Lee Hazlewood Singing His Own Compositions' (Note on Backcover)

Barcodes

  • Matrix / Runout (Etchings Side A): SE-4362  SIDE-1    66-ST-3̶5̶340
  • Matrix / Runout (Etchings Side B): SE-4362  SIDE-2    66-ST-341
  • Rights Society: ASCAP

Video

Daizil
Just picked up a mint copy of the original UK MFP issue of 1966 in a Canadian Salvation Army Thrift Store for around 75p. The God's must have been smiling that day.

Gabar
5/5

It's no wonder that The Very Special World of Lee Hazlewood went unnoticed upon its release in 1966. Not only did it arrive amidst Pet Sounds and Sgt. Pepper, arguably the 2 most important records in history, but also upon examining the record its sole eccentricity would prevent it from reaching to a wide audience.

Years later, once the fog dissipated from Hazlewood's early recordings, it became clear that The Special World was not only his strongest collection of songs aside compilations, but also that Hazlewood's trademark elements - from his self conscious ridicule to his overblown arrangements - were recreated in upcoming genres from Countrypolitan to the Lounge revival in the 90s'.

Most importantly, Special World is a portrait of the fading aesthetic of the 60s' adult music market processed into a bizarre, almost psychedelic vision. Hazlewood takes advantage of the vision of conservative America (represented by fading trends from Lounge to Spy Music and all the way back to the crooners), and distorts it into odd, heavily orchestrated pieces in a country-like fashion. Hazlewood sings and narrates themes that range from romantic melodramas to full-blown spaghetti comedies, all delivered by him with a darkly humorous croon.

Because of the sheer eccentricity of the album's themes it falls more into Baroque territory; the flamboyant melancholy of songs like "Your Sweet Love" and "My Autumn's Done Come" would be borrowed by upcoming baroque acts from Love to The Left Banke. Musically it resembles the masterful orchestrations of contemporaries like Burt Bacharach. Also, the narrational, humorously self loathing singing style were likely partly based on Frank Zappa, but later on the Chamber Pop act Lambchop would borrow from it greatly.

Hazlewood would later on in his career delve into less orchestrated and even more eccentric territory with mixed results, but far and wide Special World lies on the high part of his career's slope. Even up to this date Special World lies overlooked as the masterpiece it truly is, but when it comes to examining Orchestral Pop, its influence is immense.