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Mahler - Leonard Slatkin, Saint Louis Symphony Orchestra - Symphony No. 1 "Titan" In D Major FLAC album


Performer: Mahler - Leonard Slatkin, Saint Louis Symphony Orchestra
Genre: Classical
Title: Symphony No. 1 "Titan" In D Major
Country: Germany
Released: 1981
Label: Telarc
Catalog Number: DG-10066
FLAC version ZIP size: 1081 mb
MP3 version ZIP size: 2902 mb
WMA version ZIP size: 2049 mb
Rating: 4.3
Votes: 415

Tracklist

1I. Langsam, Schleppend - Im Anfang Sehr Gemächlich15:04
2III. Feierlich Und Gemessen, Ohne Zu Schleppen6:48
3III. Wieder etwas beer, Wie Im Anfang (Conclusion)3:11
4IV. Stürmisch Bewegt18:00
5II. Kräftig Bewegt, Doch Nicht Zu Schnell7:08

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
CD-80066Mahler - Leonard Slatkin, Saint Louis Symphony Orchestra Mahler - Leonard Slatkin, Saint Louis Symphony Orchestra - Symphony No. 1 "Titan" In D Major ‎(CD)TelarcCD-80066USA & Canada1986
CD 82004Mahler - Leonard Slatkin, Saint Louis Symphony Orchestra Mahler - Leonard Slatkin, Saint Louis Symphony Orchestra - Symphony No. 1 "Titan" In D Major ‎(CD, Album)TelarcCD 82004US1993
CD-80066Mahler | Leonard Slatkin, Saint Louis Symphony Orchestra Mahler | Leonard Slatkin, Saint Louis Symphony Orchestra - Symphony No. 1 In D, "Titan" ‎(CD, RE)TelarcCD-80066EuropeUnknown

Credits

  • Art DirectionAnilda Carrasquillo
  • Composed ByGustav Mahler
  • ConductorLeonard Slatkin
  • DesignAnilda Carrasquillo, Susan Cybulski
  • Edited By [Literary]William C. Baxter
  • EngineerJack Renner
  • ProducerRobert Woods
  • Supervised ByElaine Martone

Notes

Recorded in Powell Symphony Hall, St. Louis, Missouri, March 27-29, 1981.
Microphones: Schoeps omnidirectional
Digital Processing Recorder: Soundstream Digital Tape Recorder
Console: Neotek, custom built
Monitor Speakers: ADS model 1530 (Bi-Amplified)
Power Amplifiers: Threshold model 4000
Microphone & Interconnecting Cables: Audio Technica
Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting or equalization) at any step during production.