Paul Beaver & Bernard L. Krause - The Nonesuch Guide To Electronic Music FLAC album

Tracklist

1	1. 4 Square	0:44
2	I. Peace Three	3:08
3	C. Low-Frequency Sawtooth-Tuning Through Harmonics	1:05
4	2. Up A 3rd, Back To Pitch	0:07
5	4. Rectangular 1/2-Swept L2	0:32
6	B. Sawtooth	0:33
7	3. Sawtooth (Negative- And Positive-Going Swept)	1:20
8	VI. Ring Modulation
9	E. White Sound	0:38
10	3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)	0:31
11	4. Non-Harmonic Synthesis	0:37
12	III. Control Generators
13	2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)	0:40
14	2. 3 Triangular Waves At Different Frequencies	0:37
15	1. Broad	0:43
16	IV. Frequency Modulation
17	3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ	0:23
18	C. Rectangular L2	0:39
19	G. Transient (Sawtooth With Transient Controlled Filter)
20	1. Up An Octave, Back To Pitch	0:17
21	1. Slow	0:08
22	1. Slow-Motion Audible Example (1/8-1/2)	0:28
23	B. Sequential Voltage Sources. Composition	1:55
24	B. Multiple Repeat	2:55
25	1. -----------------	0:12
26	A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion	0:08
27	B. Ribbon Controller	0:10
28	D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics	0:50
29	A. Keyboard	0:13
30	2. Composition (Using 1/8, 1/7, 1/3, 1/2)	0:35
31	C. Rectangular Waveform
32	2. With Rising Pitch	0:15
33	2. Composition	0:50
34	1. 12-Tone	0:32
35	2. Tune In Parallel	0:40
36	E. White Sound Composition	0:13
37	4. Down A 3rd, Back To Pitch	0:13
38	1. Vibrato Ⓢ (Speed Increases As Pitch rises)	0:28
39	2. Sine-Variable Rate And Depth	0:36
40	C. Periodic
41	1. Slow-Motion Audible Example	0:05
42	B. Ribbon Control	0:30
43	B. Sawtooth Waveform
44	2. Sine-Higher Frequencies (S Sweeping S)	0:47
45	4. Rectangular
46	E. Swept With Ribbon Controller	0:40
47	3. Tuned In Opposite Direction	0:30
48	3. Sawtooth (Descending And Ascending)	0:50
49	2. 3 Triangular	0:23
50	1. Series Of Sub-Audible Constants	2:00
51	3. ------------------	0:09
52	-
53	3. Down An Octave, Back To Pitch	0:09
54	A. White Sound - With Fixed Filters Selected 3rd Octave	0:25
55	2. Composition	0:20
56	4 Different Waveforms 2L 2N 2V 2S At Different Frequencies	0:46
57	A. Sine Waves
58	E. White Sound	0:12
59	F. Transient
60	F. Periodic
61	V. Amplitude Modulation
62	1. 3 Square Waves At Different Frequencies	0:28
63	VII. Filtering
64	A. Keyboard Control
65	4. Rectangular-L2 Swept	0:28
66	D. Triangular Waveform
67	2. Sharp	0:25
68	3. Sawtooth-Swept	0:38
69	3. Harmonic Synthesis	0:33
70	B. White-Sound-Tuned Filters
71	2. Sine-Higher Frequency	0:27
72	4. ------------------	0:08
73	5. Triangular-Swept	0:31
74	3. ∧∧∧∧∧	0:14
75	IX. Peace Three (Recap)	3:08
76	A. Sine Waveform
77	2. Composition	0:34
78	II. Signal Generators
79	A. Single Repeat	0:13
80	4. Portamento	0:23
81	1. Sine-Timbre Vibrato Effect	0:25
82	5. Triangular-Swept	0:50
83	D. Periodics Combined
84	2. -----------------	0:10
85	1. Slow-Motion (Negative- And Positive-Going)	0:12
86	VIII. Tape Delay
87	1. Tremolo	0:25

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
HC-73018	Paul Beaver & Bernard L. Krause	The Nonesuch Guide To Electronic Music ‎(2xLP + Box)	Nonesuch	HC-73018	US	1968
HC-73018	Paul Beaver & Bernard L. Krause	The Nonesuch Guide To Electronic Music ‎(2xLP + Box)	Nonesuch	HC-73018	US	Unknown
HC-73018	Paul Beaver & Bernard L. Krause	The Nonesuch Guide To Electronic Music ‎(2xLP, Album, RE + Box)	Nonesuch	HC-73018	US	1975
HC-73018	Paul Beaver & Bernard L. Krause	The Nonesuch Guide To Electronic Music ‎(2xLP, Album + Box)	Nonesuch	HC-73018	US	Unknown
HC-73018	Paul Beaver & Bernard L. Krause	The Nonesuch Guide To Electronic Music ‎(2xLP, Album)	Nonesuch	HC-73018	UK	1968

Credits

• Artwork – Gene Szafran
• Design – William S. Harvey

Notes

Introduction to and survey of electronic music.
All work realised on the Moog Series III Synthesizer.
Excluding A1 and D10, each section is broken down into various examples.
Recorded and processed with the Dolby A 301 Noise-Reduction System.
Released with a 16-page book which includes the musical score of the A1 track : Peace Three

- Notes to the track titles-
Some tracks are represented by graphical symbols that are not reproducible in unicode, especially the following:

B3d: 'L2' is encircled.
B4c: '2L', '2N', '2V', '2S' are all encircled
B6a to B6d are preceded with a drawn line, all in a different shape
C3d and C4c: 'L2' is encircled
C6a is preceded by a drawn shaped line
C6b is preceded by drawn angles
C6c is approximated, but the inverted chevrons all show a different angle.
C9: 'L2' is encircled.
D7a and D7b are represented by drawn lines, slightly tilting.
D7c and D7d are represented by drawn lines with a slight anglearound the middle.

Barcodes

• Matrix / Runout (Side A): HC 73018 A
• Matrix / Runout (Side B): HC 73018 B
• Matrix / Runout (Side C): HC 73018 C
• Matrix / Runout (Side D): HC - 73018 D - 3

Companies

• Manufactured By – Polydor Records Ltd.

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