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Robin Taylor , Taylor's Free Universe - Two-Pack FLAC album

Robin Taylor Taylor Free Universe Denmark Marvel Beauty Fusion Prog Rock 2010

Performer: Robin Taylor , Taylor's Free Universe
Genre: Jazz / Rock
Title: Two-Pack
Country: Denmark
Released: 2010
Style: Fusion, Prog Rock
Label: Marvel Of Beauty
Catalog Number: MOBCD 021
FLAC version ZIP size: 1938 mb
MP3 version ZIP size: 1151 mb
WMA version ZIP size: 1875 mb
Rating: 4.8
Votes: 673

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Tracklist

1	–Taylor's Free Universe	Don't You Miles Me!	11:53
2	–Taylor's Free Universe	Dark City	11:41
3	–Robin Taylor	Heavy Friends	5:13
4	–Robin Taylor	Stoned Mushroom	7:19
5	–Robin Taylor	Ghost of Göran	9:56

Credits

Bass, Keyboards, Percussion – Robin Taylor (tracks: 1-1 to 1-3)
Design, Graphics – Dan Eggers
Drums – Klaus Thrane (tracks: 1-1 to 1-3), Rasmus Grosell (tracks: 2-1, 2-2)
Electric Bass – Assi Roar (tracks: 2-1, 2-2)
Electric Guitar, Electronics, Producer – Robin Taylor
Mastered By – Udi Koomran
Mixed By, Edited By – Louise Nipper, Robin Taylor (tracks: 2-1, 2-2)
Saxophone – Jacob Mygind (tracks: 1-1, 1-3)
Soprano Saxophone – Carsten Sinvald (tracks: 1-2)
Soprano Saxophone, Alto Saxophone, Recorded By – Karsten Vogel (tracks: 2-1, 2-2)
Violin, Electronics – Pierre Tassone (tracks: 2-1, 2-2)
Vocals – Louise Nipper (tracks: 1-2)

Notes

Split release issued on double 3" CD. CD2 recorded at Oyster Songs Recording Studio on February 8th, 2006. CD1 recorded in 2010 at Soundscape Studio, Copenhagen.

Barcodes

Barcode: 5 708564 701016

Companies

Mixed At – Soundscape Studio
Edited At – Soundscape Studio
Mastered At – Ginger Studio
Recorded At – Oyster Songs Recording Studio

Fesho

This unfortunately became the swan song of the band, started in 2001. Clearly an attempt at being more accessible, while still keeping the wild cards at hand. It wasn't easy, the first shots weren't leading anywhere but then .... the spirit of Miles came down on us, brought in by the rhythm section first, then the rest of the players. And it started streams of energetic free improvised music, based on rock-solid grooves. Even some spontaneous and uncontrolled effects took place, as my violin pick-up caught Karsten's saxophone playing, doubling it with the processed effects set for my violin (some mystically tuned harmoniser effect) and morphing the end sound into an unreal otherworldly entity. Robin's guitar and my violin were massively electronically processed and sounded tightly close to each other, shuffling the cards as to who was playing what! Those two tracks could have paved the way to a new Taylor's Free Universe and we only scratched the surface of its possibilities; instead it marked with a strong painful shout the end of a story!

Pierre Tassone

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