Samuel Locke Ward - Barely Regal Beagles FLAC album
Performer: Samuel Locke Ward
Genre: Rock / Folk and Country
Title: Barely Regal Beagles
Country: US
Released: 01 Aug 2010
Style: Punk
Label: Not On Label (Samuel Locke Ward Self-released)
FLAC version ZIP size: 2261 mb
MP3 version ZIP size: 1713 mb
WMA version ZIP size: 2819 mb
Rating: 4.3
Votes: 879
Genre: Rock / Folk and Country
Title: Barely Regal Beagles
Country: US
Released: 01 Aug 2010
Style: Punk
Label: Not On Label (Samuel Locke Ward Self-released)
FLAC version ZIP size: 2261 mb
MP3 version ZIP size: 1713 mb
WMA version ZIP size: 2819 mb
Rating: 4.3
Votes: 879
Tracklist
| 1 | Let's Give Them Hairless Hacks | 2:20 |
| 2 | Fleas Must Go | 2:19 |
| 3 | Pleasant Are The Leisure Days | 4:32 |
| 4 | Church Of The Bloated Man | 3:18 |
| 5 | Clown's Choice | 3:10 |
| 6 | Will Be Heaven | 2:45 |
| 7 | You Are the Turd | 3:53 |
| 8 | The Golden Kids Are Brats | 2:31 |
| 9 | The Little Moonface | 2:16 |
| 10 | Let's Leave Today | 1:57 |
| 11 | Five Nightmares | 3:31 |
| 12 | Funeral For Coach | 2:44 |
| 13 | The River | 1:48 |
| 14 | This Pooch Shall Fly | 6:59 |
| 15 | Find Me A Man | 2:14 |
| 16 | Taking Away The Pop | 2:07 |
| 17 | Hey, Well Dressed Brothers | 3:22 |
Credits
- Artwork [Front Painting] – SLW
- Bass – Marty Christensen (tracks: 5)
- Drums – Grace LW (tracks: 9)
- Drums, Keyboards, Autoharp – Grace LW (tracks: 16)
- Engineer, Mixed By [Co-Mixing] – Kent Williams
- Guitar – Bob Bucko Jr. (tracks: 1, 5)
- Layout, Design – Nicole Bruse
- Photography [Back Photo] – GLW
- Saxophone – Pete Balestrieri (tracks: 2, 5)
- Vocals – Grace LW (tracks: 14)
- Vocals, Keyboards, Drums – Samuel Locke Ward (tracks: SLW)
- Written-By [Co-Written] – GLW (tracks: 16)
- Written-By, Recorded By – SLW
Notes
(from Bandcamp:)Seventeen new tracks of solid lo-fi gold on CD with full color cover. SLW plays most everything on this one with a little help from Grace Locke Ward, Bob Bucko JR and some other surprise guests. Fans of the BIG punk pop sound rejoice. Features recent live faves: Taking Away The Pop, Funeral For Coach, This Pooch Shall Fly and oh so much more.
(from Babysue:)
The first thing that caught our attention about this package were the photos. We were immediately intrigued that anyone would choose to use extremely unflattering photos of themselves in their promotional kit. But Iowa City's Samuel Locke Ward did just that. Although this disc serves as an introduction for us, Ward has apparently been recording and releasing music since 2002. He's rough and unpolished...and he obviously doesn't give a rat's ass about trying to fit in or become a major celebrity. Barely Regal Beagles has the sound and feel of a real home recording. None of that fancy techno polish here. Most of these songs sound like they were recorded on the fly...and that spontaneity is probably Samuel's greatest asset. This guy must've had a blast recording these tracks. They have a cool vibe and come across sounding totally honest and real. Neat, funny stuff.
(from One True Dead Angel:)
This is old-school DIY at its best -- one guy, one guitar (actually a banjo much of the time), the occasional guest (including Violent Femmes sax sideman Pete Balestrieri on two tracks), and lots of strange (but strangely appealing) songs. There is no one predominant sound here; Ward's muse wallows in punk, pysch, noise, and experimental sound, all coming together in songs whose primitive sound and experimental bent are often reminiscent of early Pere Ubu. Combining the absurdist punk aesthetic of bands like the Dead Milkman with an original delivery (including unpretty vocals that might give some pause) and the enthusiastic DIY sound of Midwest punk bands like those in the orbit of Columbus Discount Records (an appropriate reference here, since Ward's sensibility and delivery aren't all that far removed from the work of Tommy and Jay), the songs are structured in a straightforward manner but leavened with bizarre touches (distorted guitars, eccentric banjo flourishes, other strange sounds) and festooned with lyrics devoted to peculiar concepts. The seventeen tracks boast a considerable variety of sounds and genres and burst with unpredictable energy. It's a rough-sounding document, to be sure, not something that's going to pass for radio-friendly AOR twaddle, but that's precisely the album's charm.
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