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Sauter-Finegan Orchestra - The Sound Of The Sauter-Finegan Orchestra FLAC album


Performer: Sauter-Finegan Orchestra
Genre: Jazz
Title: The Sound Of The Sauter-Finegan Orchestra
Country: US
Released: 1954
Style: Space-Age, Big Band
Label: RCA Victor
Catalog Number: LPM-1009
FLAC version ZIP size: 1892 mb
MP3 version ZIP size: 2455 mb
WMA version ZIP size: 1559 mb
Rating: 4.5
Votes: 465

Tracklist

1Horseplay
2Stop Beatin' 'Round The Mulberry Bush
3Tweedle Dee And Tweedle Dum
4Yankee Doodletown
5Love Is A Simple Thing
6Now That I'm In Love
7The Honey Jump
8Nina Never Knew
9Time To Dream
10Child's Play

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
LPM-1009Sauter-Finegan Orchestra The Sound Of The Sauter-Finegan Orchestra ‎(LP, Album)RCA VictorLPM-1009Canada1954
EPB-1009Sauter-Finegan Orchestra The Sound Of The Sauter-Finegan Orchestra ‎(2x7", Album, EP)RCA VictorEPB-1009US1956
EPB-1009Sauter-Finegan Orchestra The Sound Of The Sauter-Finegan Orchestra ‎(2x7", Album, EP, Gat)RCA VictorEPB-1009US1956
LPM-1009, LPM 1009Sauter-Finegan Orchestra The Sound Of The Sauter-Finegan Orchestra ‎(LP, Album, Mono)RCA Victor, RCA VictorLPM-1009, LPM 1009US1956
LPM-1009, LPM 1009Sauter-Finegan Orchestra The Sound Of The Sauter-Finegan Orchestra ‎(LP, Album, Bla)RCA Victor, RCA VictorLPM-1009, LPM 1009Germany1956

Credits

  • ArtworkGersten

Barcodes

  • Matrix / Runout (A-side label): E3VP-5248
  • Matrix / Runout (B-side label): E3VP-5249
  • Matrix / Runout (A-side runout, stamped): E3VP-5248-1S I B2
  • Matrix / Runout (B-side runout, stamped): E3VP-5249-1S I B1

Companies

  • Pressed By – RCA Records Pressing Plant, Indianapolis

Video

Acrobat
I found a mint copy at a garage sale in Indianapolis. The arrangements are very engaging. Eddie Sauter studied with Stefan Wolpe. From Sauter said this in Wolpe's website, "I had begun studying with Stefan Wolpe about that same time, late '45, and that opened up a whole world to me. But before that there was always a curiosity of how does this work. What Bartök and Stravinsky were doing in those days was not [what] I might have been used to hearing. How that fit into the total thing fascinated me, and I did want to learn about it. I wanted to learn about Schoenberg. I never got quite to Schoenberg, it never turned me on the way the others did. It still doesn't. Wolpe was a twelve-tone writer, but what a good teacher, what an inspirational human being he was."