Sylvester Weaver - The Remaining Titles Of Sylvester Weaver (1924-1927) FLAC album

Tracklist

1	–Sylvester Weaver	Chittlin Rag Blues Composed By – S. WeaverGuitar – Walter Beasley Vocals, Guitar – Sylvester Weaver
2	–Sylvester Weaver	Poor Boy Blues Composed By – S. WeaverVocals, Guitar – Sylvester Weaver
3	–Sylvester Weaver	True Love Blues Composed By – S. WeaverVocals, Guitar – Sylvester Weaver
4	–Sylvester Weaver	Penitentiary Blues Composed By – S. WeaverVocals, Guitar – Sylvester Weaver
5	–Beasley	Toad Frog Blues Composed By – W. BeasleyGuitar – Sylvester WeaverVocals, Guitar – Walter Beasley
6	–Sylvester Weaver	Black Spider Blues Composed By – S. WeaverGuitar – Walter Beasley Vocals, Guitar – Sylvester Weaver
7	–Weaver And Beasley	Bottleneck Blues Composed By – S. WeaverGuitar – Sylvester Weaver, Walter Beasley
8	–Sylvester Weaver	Guitar Rag Composed By – S. WeaverGuitar – Sylvester Weaver
9	–Sylvester Weaver	Devil Blues Composed By – S. WeaverGuitar – Walter Beasley Vocals, Guitar – Sylvester Weaver
10	–Beasley	Georgia Skin Composed By – W. BeasleyGuitar – Sylvester WeaverVocals, Guitar – Walter Beasley
11	–Weaver And Beasley	Sofy Steel Piston Composed By – S. WeaverGuitar – Sylvester Weaver, Walter Beasley
12	–Weaver And Beasley	St. Louis Blues Composed By – W. C. HandyGuitar – Sylvester Weaver, Walter Beasley
13	–Sylvester Weaver	Can't Be Trusted Blues Composed By – S. WeaverVocals, Guitar – Sylvester Weaver
14	–Martin - Weaver - Withers	Where Shall I Be? Composed By – Trad.Vocals – Hayes B. Withers, Sara MartinVocals, Guitar – Sylvester Weaver
15	–Sylvester Weaver	Rock Pile Blues Composed By – S. WeaverGuitar – Walter Beasley Vocals, Guitar – Sylvester Weaver
16	–Sylvester Weaver	Weaver Stomp (Six-String Banjo Piece) Banjo – Sylvester WeaverComposed By – S. Weaver
17	–Sylvester Weaver	Hungry Blues (Me And My Tapeworm) Composed By – S. WeaverGuitar – Sylvester Weaver, Walter Beasley
18	–Sylvester Weaver	I'm Busy And You Can't Come In Composed By – Trad.Guitar – Sylvester Weaver

Credits

• Compiled By [Series Editor] – Johnny Parth
• Remastered By – Hans Klement
• Research – John Godrich, Robert Dixon

Notes

A1: 72591-A New York City, c. June 1, 1924
A2: 80700-A New York City, April 6, 1927
A3: 80720-B New York City, April 12, 1927
A4: 80721-B New York City, April 12, 1927
A5: 80722-B New York City, April 12, 1927
A6: 80727-A New York City, April 13, 1927
A7: 81401-B New York City, August 31, 1927
A8: 81402-B New York City, August 31, 1927
A9: 81404-A New York City, August 31, 1927
B1: 81868-C New York City, November 26, 1927
B2: 81876-A New York City, November 27, 1927
B3: 81877-B New York City, November 27, 1927
B4: 81878-A New York City, November 27, 1927
B5: 81883-A New York City, November 27, 1927
B6: 81884-B New York City, November 27, 1927
B7: 81897-B New York City, November 30, 1927
B8: 81899-B New York City, November 30, 1927
B9: 81901-A New York City, November 30, 1927

Original recordings from the collections of Joe Bussard, Johnny Parth.

Discographical details from Blues And Gospel Records 1902 - 1943 by John Godrich and Robert Dixon (third edition, Storyville 1982).

Produced by Earl Records
Giesshübler Str. 69
A-2371 Hinterbrühl, Austria
(Tel. 0 22 36/86 6 56)

Remastering: Studio Klement, Vienna.

Copyright 1985: Earl Records, Austria

Considering the extreme rarity of the original 78s, condition is generally better than might be hoped, but it must be borne in mind that only one or two copies are known to exist of some titles.

NOTE: The remaining titles are on Agram AB-2010. No duplication between these. Two titles undiscovered.

Barcodes

• Rights Society: AUSTRO MECHANA
• Matrix / Runout (Side A): BD 615-A | HP 7
• Matrix / Runout (Side B): BD 615-B | HP 8

Companies

• Copyright (c) – Earl Records Vienna
• Remastered At – Studio Klement