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Tomahawk - Oddfellows FLAC album

Tomahawk Uk Europe Ipecac Recordings Alternative Rock 2013

Performer: Tomahawk
Genre: Rock
Title: Oddfellows
Country: UK, Europe & US
Released: 28 Jan 2013
Style: Alternative Rock
Label: Ipecac Recordings
Catalog Number: IPC142, IPC 142
FLAC version ZIP size: 2989 mb
MP3 version ZIP size: 2390 mb
WMA version ZIP size: 1557 mb
Rating: 4.3
Votes: 401

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Tracklist

1	Stone Letter	2:52
2	South Paw	4:00
3	Choke Neck	3:51
4	The Quiet Few	3:48
5	"I Can Almost See Them"	2:36
6	Baby Let's Play ____	2:43
7	A Thousand Eyes	2:40
8	Oddfellows	3:29
9	Typhoon	2:11
10	I.O.U.	2:38
11	Rise Up Dirty Waters	3:06
12	Waratorium	3:27
13	White Hats / Black Hats	3:21

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
IPC-142	Tomahawk	Oddfellows ‎(13xFile, MP3, Album, Dro)	Ipecac Recordings	IPC-142	UK, Europe & US	2013
IPC142	Tomahawk	Oddfellows ‎(CD, Album, Unofficial)	Ipecac Recordings	IPC142	Russia	2013
none	Tomahawk	Oddfellows ‎(CDr, Promo)	Ipecac Recordings	none	US	2013
none	Tomahawk	Oddfellows ‎(13xFile, MP3, Album, Aut)	Ipecac Recordings	none	UK	2013
IPC-142-LP, IPC142LP, IPC-142	Tomahawk	Oddfellows ‎(LP, Album)	Ipecac Recordings, Ipecac Recordings, Ipecac Recordings	IPC-142-LP, IPC142LP, IPC-142	UK, Europe & US	2013

Credits

Artwork – Ivan Brunetti
Edited By [Additonal Editing By] – Eric Holland
Mastered By – John Baldwin
Performer [Tomahawk Is] – Duane Denison, John Stanier, Mike Patton, Trevor Dunn
Recorded By [Additional Recording By] – Mike Patton
Recorded By, Mixed By – Collin Dupuis, Tomahawk
Written-By [All Songs By] – Tomahawk

Notes

Digipak cover.

Recorded & mixed at Easy Eye Studios, Nashville, TN in 2012.

All songs by Tomahawk ©2012.

©&℗ 2012 Ipecac Recordings

Durations are not printed on the release.

Barcodes

Barcode (Text): 6 89230 01422 5
Barcode (Scanned (UPC, A)): 689230014225
Other (Rear cover): 17/23
Matrix / Runout (Variant 1): DIDX-827407 2 A01
Matrix / Runout (Variant 2, 3): DIDX-827407 2 A02
Matrix / Runout (Variant 4): DIDX-827407 2 A03
Mastering SID Code (All Variants): IFPI L329
Mould SID Code (Variant 1): IFPI 507D
Mould SID Code (Variant 2): IFPI 50F5
Mould SID Code (Variant 3): IFPI 50D8
Mould SID Code (Variant 4): IFPI 50A2

Companies

Phonographic Copyright (p) – Ipecac Recordings
Copyright (c) – Ipecac Recordings
Recorded At – Easy Eye Sound
Mixed At – Easy Eye Sound
Manufactured By – Fontana Distribution
Distributed By – Fontana Distribution
Glass Mastered At – Sony DADC – DIDX-827407

Video

Browelali

My copy has the 17/23 as well. I actually noticed that all of them at the record store had it. I'm still wondering what it means though

Frostdefender

I find Duane Denison is among the ten great guitarists of the last 25 years. However, the music resulting from a continued collaboration with Yow, Sims and McNeilly would inspire me so much more than these extremely well crafted but eventually contrived soundscapes, where The Jesus LIzard was all organic to my ears: Do not get me wrong: Mike Patton is very gifted, but I just cannot bear his music and his operatic vocals, the latter sounding like the cross-breeding of Zappaesque sneer with the contrived zeal of Bono. Makes me cringe.

Vijora

I also find his voice overbearing on most of the things he does. Where a delicate touch, some sophistication or subtlety is required, Mike Patton fails to deliver. Take Lovage, a great idea, boring as an instrumental project and ruined by Mike Patton when vocals were applied. Jennifer Charles saving most of the record.When I first heard Mondo Cane, my initial reaction was "hokey Italian karaoke" (ha! that rhymed) but I grew to love the compositions and the arrangements. I tolerated his voice. On some tracks I do enjoy his delivery, but most he is a detriment to. When I heard the original tracks by the original artists I was absolutely floored. Mina was truly a revelation to me as a naive rock fan.There are times when he is capable of the subtlety and the restraint required, Desastre Natural from Mit gas springs to mind. Other than that I think you're right in your assessment.

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