Various - Flatland, for a romance of many dimensions FLAC album
Performer: Various
Genre: Electronic / Classical
Title: Flatland, for a romance of many dimensions
Country: Italy
Released: 2011
Style: Experimental
Label: kipple.it
FLAC version ZIP size: 2199 mb
MP3 version ZIP size: 1091 mb
WMA version ZIP size: 1877 mb
Rating: 4.1
Votes: 595
Genre: Electronic / Classical
Title: Flatland, for a romance of many dimensions
Country: Italy
Released: 2011
Style: Experimental
Label: kipple.it
FLAC version ZIP size: 2199 mb
MP3 version ZIP size: 1091 mb
WMA version ZIP size: 1877 mb
Rating: 4.1
Votes: 595
Tracklist
| 1 | Pointland (Solipsism) |
| 2 | Flatland |
| 3 | Flatland Troubles |
| 4 | Raping Dreams |
| 5 | Escape from Flatland |
| 6 | Wanderers in Eternity |
| 7 | All isosceles triangles (Irregulars) |
| 8 | XX (simple line-segments women) |
| 9 | Absynthetic |
| 10 | XY (All Men Geometric Shapes) |
| 11 | Microscopic Liquid Subways to Oblivion |
| 12 | Altering Horizons |
| 13 | Lineland (Effets visibles de l'invisible) |
| 14 | In the Solitary Amplitude of Boundless Space |
| 15 | L'attrait des ombres |
| 16 | Meditation (How Little Words Have Done) |
| 17 | Visited by a Sphere |
| 18 | Art of Hearing, Art of Feeling, Art of Sight Recognition (or the Art of Theremin) |
| 19 | Thoughtland |
Credits
- Composed By – Davide Riccio (tracks: 1, 3, 5, 14, 12, 18), Maoro Sanna (tracks: 6, 11, ), Marco Barluzzi (tracks: 9, 17), Philippe Blache (tracks: 2, 7, 19)
- Composed By – Krell (tracks: 4, 16), Tommaso Rolando (tracks: 10, 13)
- Electronics – Krell
- Grand Piano, Effects – Philippe Blache
- Voice, electronics, Instruments – Davide Riccio
- Voice, electronics, instruments – Tommaso Rolando
Notes
Conceptual album about the material metaphysics and visionary utopian world created by the science fiction writer Edwin Abbott (1838-1926).Il presente lavoro musicale Flatland sposa le critiche sociali di Abbott, concentrandosi pero anche sugli aspetti eminentemente matematico-geometrici del romanzo, cercando le suggestioni del rapporto tra deiverse dimensioni nel mondo sonoro, e immaginando il maondo distopico bidimensionale per provare a comunicare con dimensioni considerate più alte, o più semplicemente altre.
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